Brief Bio-data

Name Pandit Sanjoy Bandopadhyay 
Date of Birth September 16, 1954 
Snail mail3/1/1D Padmapukur Road, Kolkata 700092 [W.B.]
Email / | 9433230717 / 9163365904
Training Pt. Radhika Mohan Maitra, Pt. Bimalendu Mukherjee, Pt. Peejush Prasanna Bandopadhyay, Pt. Manas Chakraborty. Also from Pt. Ajay Sinha Roy, Pt. D.T. Joshi, Pt. Shankar Ghosh. 
AIR grade Top Grade 
PerformancesLarge music festivals in India, Bangladesh, European Countries, USA, Canada, South Africa, Mauritius, etc. 
Discography12 CDs including from the RPG-HMV and India Archive Music, USA. 
Academic placements Ustad Allauddin Khan Professor at Rabindra Bharati University. Currently Professor at the Sikkim University. 
Important foreign assignments Participation at UNESCO Conference, Finland; George A. Miller Visiting Professor, UIUC, USA; Artist in Residence at University of Chicago, Distinguished India Focussed Visitor at University of Alberta, Canada, etc. 
Member of CommitteesServed as Expert Member of many committees including the Music Audition Board, All India Radio; Executive Councils, Academic Councils and other committees in several universities including the University of Delhi, Banaras Hindu University, Visva Bharati to name a few. 
Current statusRetired Professor of Instrumental Music [Ustd. Allauddin Khan Chair], Department of Instrumental Music, Rabindra Bharati University, Kolkata, India.
Legacy to follow Trained some renowned musicians and globe trotters including Pandit Kushal Das, Rajrupa Chowdhury, Troilee Dutta, Kalyanjit Das, etc. 

Bio-sketch of Pandit Sanjoy Bandopadhyay 

Pandit Sanjoy Bandopadhyay is an exceptional combination of an outstanding Sitar virtuoso, eminent Guru and a thoughtful academician. This internationally reputed musician is especially known for his exemplary spontaneity in musical expressions. His music is always lively, fresh and new. 

Pandit Sanjoy Bandopadhyay received extensive training in sitar playing in Senia- Shahjehanpur, Imdadkhani, and Rampur-Senia gharanas. A beautiful synthesis of the practices and knowledge of these three very famous schools of music can be experienced through his sitar renderings. Professor Sanjoy had his major training in sitar playing from Pandit Radhika Mohan Maitra and Pandit Bimalendu Mukherjee. He started learning music with his father Pt. Peejush Prasanna Bandopadhyay. He also learnt with Pandit Manas Chakraborty, Dr. M.R. Gautam. He had special opportunities of having blessings through intensive musical interactions with Professor Dhruva Tara Joshi, Pandit Ajay Sinha Roy, Pandit Gajanan Rao Joshi and Pandit Shankar Ghosh. 

Professor Sanjoy’s music gets widely featured in national and international TV and radio channels in India and other countries. He has been awarded prestigious ‘Top- Grade’ by the Director General, All India Radio. He has 12 audio CDs to his credit. These were published by different reputed music companies in India and the USA. He served as ‘Artist in Residence’ at the University of Chicago and University of Colorado at Colorado Springs, USA. 

He participated at the Plenary Session of UNESCO Conference and other important global and bilateral events. He was invited by the University of Illinois at Urbana Champaign as the George A. Miller Visiting Professor. The University of Alberta invited him as Distinguished India Focus Visitor

Before his recent appointment as Professor in Music at the Sikkim University, Pandit Bandopadhyay was the Ustad Alauddin Khan Professor of Instrumental Music at the Rabindra Bharati University, Kolkata. Also, he was the Director of the S.M. Tagore Centre of Documentation & Research of Languishing & Obsolescent Musical Instruments, a research center in the same university and the Coordinator of the UGC SAP-DRS Research Project of the Department of Instrumental Music, Rabindra Bharati University. 

Panditjee is proud that some of his disciples have proved to be exceptionally brilliant and established themselves as foremost musicians of Hindustani Music. This includes, Pandit Kushal Das, Rajrupa Chowdhury, Troilee Dutta, etc.